Video Post Production in Rome — Editing, Color Grading and Finishing
Editing, color and rhythm for your stories.
POST PRODUCTION
The Final Signature for Your Project.
Post-production is where the vision takes its final form. My job is to transform raw footage into a coherent, moving narrative, shaping the rhythm through editing and defining the atmosphere with color.
This is where the story finds its final voice.
I don't just manage one piece of the process — I manage the entire pipeline. Editing, color grading and finishing in a single workflow means creative decisions don't get lost in handoffs. If grading reveals that a scene works better with a different cut, I change it immediately. I don't wait for someone else to notice.
When a project requires visual effects or motion graphics, I don't need to coordinate with others — I deliver them myself, in the same workflow.
From timeline to final look
I assemble your footage to build a compelling story that works. My goal is to find the right rhythm and most effective narrative structure — whether it's a short film, documentary, commercial or corporate video — to keep attention high and communicate your message with clarity and impact.
I work on films, documentaries, short films, commercials and music videos. Each format has its rules: a documentary requires structuring raw material with interviews, archive footage and voice-over. A commercial demands frame-accurate precision and multiple versions for different formats.
Color is emotion. I define your project's visual look to create unique atmospheres for films, documentaries and commercials, strengthening the narrative. My work starts from technical correction to ensure image coherence and cleanliness, then moves to creating a chromatic style that serves the story and enhances the cinematography.
My process begins with dialogue with the director or DP: together we understand the project's emotional direction, create references, then I develop the look that becomes the film's visual signature. I work with LOG footage from all major cinema cameras — ARRI, RED, Sony Venice, Blackmagic — and manage HDR workflows when required.
Have a project that needs this kind of work?
A dialogue between technique and vision
Technique in Service of Story.
For me, every cut and every color nuance must have a narrative purpose. My approach is never purely technical — it always aims to serve the story and amplify the director's vision.
Constant, Collaborative Dialogue.
Post-production is a dialogue. I work closely with you and your team to interpret your intentions and translate them into concrete editing and color choices, ensuring a transparent process aligned with your vision.
DaVinci Resolve Certified Colorist.
Blackmagic Design certified for DaVinci Resolve, the professional standard for cinematic color grading. This ensures the highest level of chromatic control and the ability to create complex, professional looks within broadcast and cinema standards.
Recent post-production work
Frequently asked questions about post-production
Video post-production includes everything after filming: editing, color grading, sound design, visual effects, titling, conforming and mastering. In my integrated workflow I handle all these phases in a single pipeline, without handoffs between different professionals. This reduces time and costs while maintaining creative coherence.
Professional color grading for a commercial ranges from €800 to €1,200. For a short film, expect €3,000 to €5,000 depending on complexity. For a feature film, costs cannot be estimated without analyzing the project — it depends on genre, number of scenes and the required look. Day rates are also available. I work with DaVinci Resolve (certified), the cinema industry standard.
With separate specialists, the project passes from hand to hand: editor to colorist, colorist to VFX artist, VFX artist back to editor for corrections. Each handoff adds time, costs and error risk. With my integrated workflow, I manage everything in a single pipeline — from editing to final master. The result is more coherent, faster and more cost-effective.
I work with all professional formats: 4K, 6K, 8K, RAW (RED, ARRI, Blackmagic), ProRes, H.265. I deliver in distribution-required formats: DCP for cinema, broadcast spec for TV, optimized codecs for web and social. I also handle HDR mastering with DaVinci Resolve.
Have a story
that needs shaping?
If you have footage and need a professional to transform it into a polished, high-quality finished product, tell me about your project. I personally read every request.